— The Tunnelist

So the Billabong XXL awards were handed out the other day, honoring the men and women crazy enough to chase waves the size of small mountains. And neither surprisingly nor undeservedly, Nathan Fletcher took home several of the prestigious awards with his jaw-dropping ride at Teahupoo this past August (above), including the Ride of the year and Monster Barrel awards.

Nathan’s a charger and deserves these wins like no others.

Garrett McNamara not only caught the biggest wave of the year with his 78 foot drop at Praia do Norte on the coast of Portugal, but also officially copped the heaviest wipeout of the year at this little known Maui spot above. Oddly enough, Bradley Norris’ step into oblivion at The Right in WA never made it to nominee status.

Watch the whole show here.

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The great Jean Henri Gaston Giraud aka Moebius died earlier this year, leaving this world infinitely richer then when he entered it.

Images via But Does It Float

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Unforgettable reflections from one of the most talented photographers in the world.

The Diary of Jon Frank

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Patagonia should be the yardstick for all corporations. Instead it is the exception that confirms the rule, and all we can do is vote with our wallets.

Chouinard marched into state offices on the morning of January 3, 2012, to make Patagonia the very first company to register as a benefit corporation in California. It remains the most prominent company nationwide to have registered thus far. For Chouinard, the value of this is less about the present than the future. He can do whatever he wants at Patagonia right now, with no threat of shareholders revolting if he sacrifices a bit of profit in the name of menschy communitarianism. He owns the place in full, for as long as he’s alive. But he’s cagey about succession, and it’s clear what he fears: He never wants Patagonia to go public, or to lever itself up in search of rapid growth, as it mistakenly did before. He’s convinced that becoming a benefit corporation will help prevent that from ever happening.

Read the whole thing at The Wall Street Journal. Photo by Tierney Gearon

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A long overdue and well-produced reflection on one of, if not the, most spectacular days of surfing in modern history. Both stunning and terrifying.

On August 27, 2011, the Billabong Pro Tahiti event on surfing’s World Tour was placed on hold due to a massive swell bearing down on the famed big-wave spot, Teahupoo. With forecasts calling for unprecedented surf, some of the greatest surfers in the world descended on the island to be in the water, despite a “Code Red” called by the Tahitian Coast Guard, which sought to keep everyone on shore. See the historic day through the eyes of two surfers — the young gun Laurie Towner and the veteran Dylan Longbottom — as they catch some of the biggest, most dangerous surf ever recorded, much of it captured with the super slow motion Phantom Camera for never-before-seen imagery.

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Amazing how Buttons is as radical now as he was in 1978 – excerpt from Many Classic Moments by Gary Capo.

Via Surfer Mag

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Kai Neville isn’t resting on his laurels. Having released Lost Atlas (review) only last year, he’s already trickling out footage from his next film, featuring the usual suspects. No release date yet but the trailer is looking good.

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Reef Mcintosh takes the Surfline 25K Wave of the Winter award of 2011-12 with this wave at OTW.

“It was unanimous,” Head Judge Gerry Lopez explained. “Reef’s wave was just so perfectly beautiful and his cool, collected mastery in riding it gave him the edge over the rest.”

Stills from video by Lachlan McKinnon.

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The making and sliding of the TCSS x Thomas Surfboards Pillage model. Nicely done.

For more beards, visit thecriticalslidesociety.com

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Jon Frank has been playing in a league all by himself since he busted into the collective conscious of purveyors of beauty in the mid 90′s alongside Mark Sutherland and Andrew Kidman with the seminal surf movie Litmus. Here are two absolutely mesmerizing clips from his latest project The Glide, created alongside Richard Tognetti.

Richard Tognetti’s first exploration of the links between the ocean, surfing and music resulted in the documentaryMusica Surfica, winning best feature awards at film festivals in the USA, Brazil, South Africa and France. In this new multimedia performance, Jon Frank’s awe-inspiring ocean photography and footage glides across the big screen, mingling with the ACO’s live performance. The Glide comes to Sydney and Melbourne after performances in Maribor, Noosa and New York.

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